Focused on intersections of Renaissance literature and modern sociology, his work has appeared in academic journals such as Modern Language Quarterly, Genre, and College Literature, and public venues like National Public Radio, Salon, and MLA’s Profession. Wilson is a faculty member in the Writing Program at Harvard University, USA, where he teaches the Why Shakespeare? section of the university’s first-year writing course. An essential read for fans of the franchise, as well as students and academics looking at Shakespeare and Renaissance Literature in the context of modern media. Presenting new interviews with the Game of Thrones cast, and comparing contextual circumstances of composition-such as collaborative authorship and political currents-this book also lodges a series of provocations about writing and acting for the stage in the Elizabethan age and for the screen in the twenty-first century. On the other, Game of Thrones also responds to Shakespeare’s first tetralogy directly by adapting several of its literary strategies (such as shifting perspectives, mixed genres, and metatheater) and tropes (including the stigmatized protagonist and the prince who was promised). On the one hand, Shakespeare influenced Game of Thrones indirectly because his history plays significantly shaped the way the Wars of the Roses are now remembered, including the modern histories and historical fictions George R.R. Wilson shows how that connection was mediated by Shakespeare, and how a knowledge of the Shakespearean context enriches our understanding of the literary elements of Game of Thrones. Shakespeare and Game of Thrones It is widely acknowledged that the hit franchise Game of Thrones is based on the Wars of the Roses, a bloody fifteenth-century civil war between feuding English families. Martin Changed the Ending of Game Of Thrones 19. The Bloody Hand: Intertextual Metatheater 17. Generic Bias: Gender, Race, Criticism 16. Girl Power: Mimetic Feminism and Rhetorical Misogyny 15. The Stigmatized Protagonist: The Tragic Model and the Heroic Model 14. Wars of Roses: A Literary Trope in Social Life 13.

Eddard as Gloucester: De Casibus Virorum Illustrum 12. External Predictability, Internal Unpredictability 11. Game of Thrones as Shakespearean Performance: Interviews with the Actors 10. Spectacle and Success from the Medieval Church Service to CGI 9.

Narrative Relief: From Comedy to Nudity 8. Comical-Tragical-Historical-Pastoral: Mixed Genre 7. From True Tragedy to Historical Fantasy 6. Composition History and Co(rporate)-Authorship 5.

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